Daniele Chiesa - 2025 Doubletop XXX Aniversary model
Daniele Chiesa - 2025 Doubletop XXX Aniversary model
Details
Details
Overview
Overview
Shipping important note
Shipping important note
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Details about GPSR
Details about GPSR
Video overview
More details about the guitar
About the luthier
Daniele Chiesa was born in Bergamo in 1973 and first approached music as a guitarist, studying both classical and jazz from an early age. In 1994 he moved to Cremona to study musicology, immersing himself in a city whose history is inseparable from the highest traditions of Italian string instrument making. It was there, through the unexpected loss of his own guitar, that he turned toward lutherie. What began as an attempt to replace a stolen instrument became the starting point of a professional path that led him to graduate in 1998 from the violin making school in Cremona as a Maestro Liutaio.
His training continued through a sequence of formative workshop experiences that broadened both his technical knowledge and his understanding of different guitar making traditions. In California he worked with Kenny Hill, gaining direct experience of the traditional Spanish guitar, and later spent a year in the workshop of Tom Ribbecke in the San Francisco Bay Area, where he encountered a distinctly different approach through the making of archtop instruments. Further work with tonewood preparation and grading, including Brazilian rosewood, deepened his material knowledge.
A decisive step followed in Córdoba, where contact with Paco Santiago Marín led Chiesa to settle in Granada and place himself within the living centre of Spanish guitar making. There, working alongside makers such as Antonio Marín Montero, José Plazuelo, and Rolf Eichinger, he refined the methods that would shape his own instruments. Since the early 2000s he has continued to build in Andalucía, developing a personal voice grounded in the Granada tradition while remaining open to careful structural evolution based on long term workshop experience.
About the guitar
This 2025 anniversary model by Daniele Chiesa is a cedar double top built with Nomex and Indian rosewood, conceived as an advanced extension of his long established work rather than a departure from it. In Chiesa’s own account, this model has occupied much of his recent development, with each new instrument serving as a further refinement of structure, balance, and response. The present guitar reflects that ongoing process through a series of deliberate choices, including laminated sides, an asymmetrical six fan bracing pattern, and a reworked fingerboard structure that allows more exact preparation before final assembly.
What stands out musically is the combination of speed and order. The guitar is highly responsive, with an immediate, fast developing attack, yet the sound remains notably clean. That balance is central to the conception of the model. Chiesa speaks explicitly about the risks that cedar and double top construction can present when left unchecked, especially a tendency toward excessive darkness or an undefined blending of tones. Here those problems are clearly held in control. The voice is focused, even across the fingerboard, and capable of great activity without losing definition. Chords do not collapse into a single mass, and the sound keeps its shape even under a very lively response.
The tonal impression is that of a double top that preserves a strong connection to the traditional guitar. There is colour, detail, and balance in the sound, but also a roundedness and ease of response that belong to the reduced mass and efficiency of this construction. Rather than pushing toward an exaggerated modern effect, Chiesa seems to aim for a more natural integration of double top advantages into a musically familiar language. The result is a voice that feels elegant, precise, and structurally coherent, with a broad dynamic capacity and a particularly even behaviour from one register to another.
Part of that control comes from the underlying construction logic. Chiesa closes this model from the top, a method he values especially in double tops because it reduces the accumulation of edge tension and helps the soundboard remain more relaxed throughout its surface. He also uses interior finishing on the back and sides as a balancing tool, introducing a little more brilliance where cedar and double top construction might otherwise become too dark. These decisions are not presented as theory alone, but as the outcome of long empirical comparison between closely matched instruments. That attitude is characteristic of Chiesa’s work. The guitar is not designed around novelty for its own sake, but around carefully tested adjustments that shape response, clarity, and resilience in a controlled way.
As a result, this anniversary model offers a persuasive synthesis of refinement and power. It reacts quickly, remains composed, and speaks with a clean, elegant tone that avoids both heaviness and excess. For players seeking the immediacy and dynamic ease of a double top without giving up tonal discipline and a strong sense of traditional orientation, this guitar represents a mature and highly resolved interpretation.
Regular care extends the life of the instrument
Even with careful use, a classical guitar may gradually change in appearance or respond to unstable storage conditions. Have a close look at your guitar regularly and be attentif to changes. If your instrument is suffering from its environement, it will let you know.
Protect Your Guitar: Handle with Care
Be mindful when touching your instrument with greasy or unwashed hands: any skin contact is a small attack on the varnish. Of course, a guitar is made to be played, but taking a few precautions helps preserve its beauty: wash your hands before playing, wear long sleeves, and avoid unnecessary direct skin contact with the body of the instrument.
Pro tip: Avoid playing with a button-up shirt, heavy jewelry, or a belt, as these can scratch the guitar. Also, make sure your guitar case is free of any objects that could damage the instrument during storage.
String care
A good habit to adopt is wiping down your strings briefly after each playing session. This small action significantly extends their lifespan and helps maintain a consistent, comfortable feel under your fingers.
Most importantly, clean strings are essential for keeping your instrument in tune. Corrosion, sweat, and dust can affect the uniformity of the strings and interfere with accurate tuning across the entire fingerboard.
Pro tip: If you're having trouble getting your guitar in tune, it might be time to change the strings. A useful test is to compare the pitch of the 12th fret harmonic with the fretted note at the 12th fret; if there's an unusually large gap between them, your strings may have lost their integrity and should be replaced.
Keep Your Shellac Finish Shining!
Got a guitar with a shellac (French polish) finish? Here's a simple trick: Take a clean microfiber cloth and gently breathe on the surface to create a light mist. Then, softly rub to remove fingerprints, sweat, and grease. That’s usually all it takes to keep it looking great, no products needed!
Pro tip: Every few years, treat your guitar to a check-up with a luthier to keep it in top shape.
Storing Your Guitar: Climate Matters
Your guitar can safely stay outside its case, as long as the surrounding environment maintains 42–55% humidity and a temperature between 18–25°C.
Keep in mind that humidity levels can still fluctuate inside the case, especially during seasonal changes.
- Too much humidity may cause overtightened strings and a dull tone.
- Too little humidity can lead to a bulging top, string buzz, or even cracks.
Avoid placing your guitar near radiators, air conditioners, or windows with direct sunlight.
Pro tip: Always close your guitar case while playing. This helps preserve a stable microclimate inside the case, so your instrument is protected the moment you put it back in.