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Tamara Stahl - 2025 - No.16
Tamara Stahl - 2025 - No.16
Details
Details
Luthier:
Tamara Stahl
Overview
Overview

Video overview
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More details about the guitar
About the luthier
Tamara Stahl began her journey in guitar making in 2016 while working at Siccas Guitars in Karlsruhe, Germany. Playing and studying a wide range of handcrafted instruments sparked her fascination with the construction and tonal character of fine guitars. In 2019, she graduated from the renowned instrument-making school in Mittenwald, Bavaria. To deepen her knowledge of the cultural and historical roots of the classical guitar, she moved to southern Spain, where she learned from experienced masters in the cradle of modern guitar making. Since 2022, she has been based in Weimar, Germany, sharing a workshop with fellow luthier Johanna Vogl, where both benefit from a collaborative yet independent working environment. Her guitars are characterized by precision, refined aesthetics, and a sound that combines the sweetness and clarity of traditional instruments with modern qualities of power and projection. Stahl continually develops her building system through small, deliberate refinements, striving for a balance of resonance, stability, and expressivity in every new instrument.About the guitar
This guitar, No. 16 from 2025, reflects Tamara Stahl’s matured building style and artistic vision. Constructed in the traditional Spanish manner, it features a spruce top paired with Indian rosewood back and sides, finished with French polish. The doubled sides, reinforced back, and carefully weighted bridge all contribute to enhanced projection, stability, and tonal richness. Tonally, the guitar offers clarity, sweetness, and a wide palette of colors. It responds quickly and evenly across registers, with excellent sustain and dynamic range. The trebles are clear and singing, while the basses are present without overpowering. Its character combines the intimacy and tonal beauty of traditional guitars with the headroom and power demanded in concert situations. The elevated fretboard ensures comfortable playability and effortless access to higher positions. The guitar’s visual design reflects Stahl’s personal interpretation of the Alhambra’s architectural motifs. The abstract rosette, with its fine geometric elements and subtle interplay of tones, was inspired by the domes and mosaics of Granada’s Moorish palace. The result is an instrument that unites traditional craftsmanship with modern artistry, both visually and acoustically.
Otto Rauch is a German guitar maker from the small town of Obermoschel in Rheinland-Pfalz. With over 35 years of experience as a guitar maker, he is one of the German pioneers of double-top construction. After repairing a Matthias Dammann guitar in the early 1990s, Otto Rauch began building doubel-top guitars. At first, he used cedar struts and then a balsa core, a construction he continued to develop over the years. While helping a friend set up his violin making business, Otto Rauch came across the name of the 18th century Venetian violin maker Domenico Montagnana. His cellos are praised for their dark tone, fantastic sound volume and enigmatic construction. As these three attributes reflect Otto’s construction, he adopted the name, and the Domenico Montagnana model was born.









