Raoul Aldrovandi - 2025 No. 8 "Ambra" ON HOLD
Raoul Aldrovandi - 2025 No. 8 "Ambra" ON HOLD
Overview
Overview
About the luthier
Raoul Aldrovandi began his career path in engineering, enrolling at university after high school, but soon discovered his true passion lay elsewhere. He left his studies to focus on woodworking, developing skills in carving, sculpting, and turning while working as a carpenter. His direction changed profoundly after attending a classical guitar concert, which inspired him to learn the instrument and eventually combine his woodworking expertise with guitar making. He completed a guitar-making course with Pablo Requena, achieving strong results, and used his engineering background to adopt a methodical approach to the craft. Influenced by Mario Garrone, Giuseppe Cuzzucoli, and Trevor Gore, Aldrovandi began designing guitars with careful consideration of how each component functions, measuring material properties and documenting acoustic data. Positive feedback from players led him to become a full-time luthier, creating instruments that unite traditional craftsmanship with precise technical understanding.
About the guitar
The idea for this instrument, No.8 “Ambra”, was sparked during a visit to Paolo Coriani’s workshop, where a conversation about bracing, materials, and building methods led to the gift of an old, beautifully aged cedar top from Coriani’s wood stock. Although Aldrovandi often works with spruce, he values cedar for the way alternating between the two has sharpened his sensitivity as a luthier. This guitar is his tribute to the tonewood.
The top is built with Aldrovandi’s own interpretation of the fan bracing system, shaped in part by insights from that meeting. It is adorned with a floral rosette framed by a mosaic border for a refined and elegant appearance. A bridge of Madagascar rosewood was selected for its tonal character, while the Indian rosewood back was constructed with specific vibration modes in mind. With an air resonance between F sharp and G, the instrument offers a voice that is both responsive and balanced, with clear singing trebles and deep, well-shaped basses.
| Luthier: | Raoul Aldrovandi |
| Construction year: | 2025 |
| Construction type: | Traditional |
| Top: | Spruce |
| Back and sides: | Indian rosewood |
| Finish: | French polish |
| Air body frequency: | F # / G |
| Scale: | 650 mm |
| Nut: | 51.5 mm |
| Weight: | 1545 grams |
| Tuners: | Der Jung |
| Strings: | Knobloch EDC 34.0 |
| Condition: | New |
| Case: | Hardshell |
Details about GPSR:
Classical Guitar
Raoul Aldrovandi
Siccas Guitars GmbH, Roonstr. 31, 76137 Karlsruhe, Germany, www.siccasguitars.com, info@siccasguitars.com
Note: For antique guitars, the GPSR does not apply.
Video overview
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Classical Guitar
The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.Look all products of the collection -
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