Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968
Daniel Friederich - 1968 - Front view thumbnail
Daniel Friederich - 1968 - Front view thumbnail
Daniel Friederich - 1968 - Front view thumbnail
Daniel Friederich - 1968 - Front view thumbnail
Daniel Friederich - 1968 - Front view thumbnail
Daniel Friederich - 1968 - Front view thumbnail
Daniel Friederich - 1968 - Front view thumbnail
Daniel Friederich - 1968 - Front view thumbnail
Daniel Friederich - 1968 - Front view thumbnail
Daniel Friederich - 1968 - Full view thumbnail
Daniel Friederich - 1968 - Full view thumbnail
Daniel Friederich - 1968 - Back and sides thumbnail
Daniel Friederich - 1968 - Back and sides thumbnail
Daniel Friederich - 1968 - Back and sides thumbnail
Daniel Friederich - 1968 - Back and sides thumbnail
Daniel Friederich - 1968 - Back and sides thumbnail
Daniel Friederich - 1968 - Back and sides thumbnail
Daniel Friederich - 1968 - Back and sides thumbnail
Daniel Friederich - 1968 - Neck and tuner thumbnail
Daniel Friederich - 1968 - Neck and tuner thumbnail
Daniel Friederich - 1968 - Neck and tuner thumbnail
Daniel Friederich - 1968 - Certificate thumbnail
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Daniel Friederich - 1968

Daniel Friederich - 1968

Details

Luthier:  Daniel Friederich
Construction Year: 1968
Top: Spruce
Back and Sides: Indian rosewood
Soundboard Finish: French polish
Body Finish: French polish
Air Body Frequency: G / G #
Scale (mm): 650
Weight (g): 1420
Tuner: Fustero
Strings: Knobloch - EDC 34.0
Condition: Very good

Overview

Daniel Friederich Récital 1968 classical guitar with spruce top and rosewood body. It offers a deep, velvety tone with refined clarity, sustained singing trebles, and a controlled, nuanced dynamic range. The slender, rounded neck enhances left hand comfort, while the instrument responds freely with vibrant resonance and expressive flexibility.
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Video overview

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Émilie Fend plays Syracuse by Henri Salvador (arr. Roland Dyens) on a 1968 Daniel Friederich
Duo Zaher play Duo En Forme De Prélude by Amable MASSIS on Daniel Friederich Guitars
Daniel Friederich 1968 Classical Guitar Review
The Weekly Guitar Meeting #70 - Friederich, Romanillos, Perelman, Bottelli, Ramirez | Siccas Guitars

More details about the guitar

Daniel Friederich was born on January 16, 1932, and passed away in 2020. Although he aspired to become a guitarist, financial limitations prevented him from purchasing an instrument. At the age of twenty three, he resolved this by building his first guitar, a copy of a Simplicio model. He received guidance from his teacher Christian Aubin, an established guitar maker, during this formative period. After constructing his own tools and gaining further experience, Friederich presented his fifteenth instrument to Robert Bouchet, whose work left a lasting impression on him. Throughout his career, Friederich adopted and carefully developed certain structural principles inspired by Bouchet.

Over the following decades, Daniel Friederich became one of the most respected guitar makers internationally. In 2015, after a long and influential career, he retired and sold his workshop tools, marking the definitive end of his production.

The Récital model from 1968 is distinguished by a deep, velvety tonal character and a remarkable capacity for nuance. The sound unfolds with density and clarity, offering a sustained singing quality combined with a refined dynamic range. Compared to some of his more robust concert instruments, this example features a more slender, rounded neck profile, contributing to a comfortable left hand position and enhanced playability. The instrument responds freely and vibrates with notable intensity, supporting a broad spectrum of tonal colours and expressive control.

The guitar retains its original varnish and tuning machines. Three cracks in the top have been professionally repaired: two on the soundboard, one below the bridge and one beside the fingerboard, as well as a small repair on the lower bout where a previous owner had drilled a hole for a strap pin. No cleats were used in these repairs. Light wear below the E strings has been carefully retouched. Overall, the instrument remains structurally stable and represents an important example of Friederich’s work from the late 1960s, a period widely regarded as central to his artistic maturity.

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  • Classical Guitars

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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