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Ana Espinosa - 2025 - 64 cm
Ana Espinosa - 2025 - 64 cm
Details
Details
Luthier:
Ana Espinosa
Overview
Overview
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More details about the guitar
About the luthier
Ana Maria Espinosa Rodríguez began her guitarmaking career in 1996 under the mentorship of René Baarslag. Her initial focus on the Antonio de Torres model led her to conduct extensive physical and acoustic analyses, forming the foundation for a personal model that reflects both her research and Baarslag’s deep expertise. Espinosa Rodríguez’s guitars are known for their expressive tonal qualities and graceful aesthetics, consistently featuring high power and strong projection. These attributes contribute to a responsive instrument that supports effortless and nuanced performances. Each guitar is marked by her distinctive headstock and rosette design, built from carefully selected woods and finished to the highest standard.About the guitar
This 2025 Ana Espinosa guitar exemplifies the sonic and visual elegance of the Granada school. It features a cedar top that produces a warm, rounded tone, while the cocobolo back and sides enhance both projection and tonal depth. The instrument offers focused basses and a clear, singing midrange, delivering excellent balance across the register. Built in the traditional Spanish style and finished with French polish, this guitar presents refined craftsmanship suited to the demands of professional performance. The 640 mm scale length makes it particularly appealing for players seeking comfort without compromising on tonal clarity or volume.
Otto Rauch is a German guitar maker from the small town of Obermoschel in Rheinland-Pfalz. With over 35 years of experience as a guitar maker, he is one of the German pioneers of double-top construction. After repairing a Matthias Dammann guitar in the early 1990s, Otto Rauch began building doubel-top guitars. At first, he used cedar struts and then a balsa core, a construction he continued to develop over the years. While helping a friend set up his violin making business, Otto Rauch came across the name of the 18th century Venetian violin maker Domenico Montagnana. His cellos are praised for their dark tone, fantastic sound volume and enigmatic construction. As these three attributes reflect Otto’s construction, he adopted the name, and the Domenico Montagnana model was born.
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