René Izquierdo in Concert at Siccas Guitars

The latest concert video released by Siccas Guitars features an online recital by René Izquierdo, recorded during the International Guitar Festival Iserlohn. The concert presents a carefully shaped program that reflects Izquierdo’s musical background, his connection to Latin American repertoire, and his clear, structured approach to classical guitar interpretation.

René Izquierdo as an Artist

René Izquierdo is widely regarded as one of the most respected classical guitarists of his generation. Born in Cuba and active on the international concert stage for many years, his playing combines technical security with rhythmic clarity and a strong sense of musical narrative. His repertoire often moves between European classical works and music rooted in Cuban and Spanish traditions, a combination that is also reflected in this concert.

At the International Guitar Festival Iserlohn, Izquierdo performed a complete solo recital, captured in a focused setting that allows his musical language to remain transparent and direct.

The Instrument: Siccas Luthiers Legacy Model

For this concert, René Izquierdo performs exclusively on the Siccas Luthiers “Legacy” model. The guitar supports a clear separation of voices, controlled projection, and a balanced response across registers. Throughout the program, the instrument provides a stable foundation for both baroque articulation and rhythmically driven modern repertoire.

Domenico Scarlatti: Sonata K 208

The concert opens with Sonata K 208 by Domenico Scarlatti. Originally written for keyboard, the sonata translates naturally to the guitar through its idiomatic figurations and clear harmonic structure. Izquierdo’s interpretation emphasizes rhythmic stability and articulation, allowing the form of the piece to unfold with clarity.

Regino Sainz de la Maza: Petenera and Rondeña

The program continues with Petenera and Rondeña by Regino Sainz de la Maza. Both pieces draw on Spanish dance traditions and flamenco-influenced rhythms. The music requires precise control of articulation and accentuation, elements that Izquierdo shapes with restraint and focus.

Federico Moreno Torroba: Madroños

Madroños by Federico Moreno Torroba adds a lyrical dimension to the program. The piece balances melodic flow with subtle rhythmic motion and highlights the guitar’s singing qualities. Izquierdo’s phrasing maintains continuity while allowing the melodic lines to breathe.

Eduardo Martín: Mirándote and Son del Burrio

Two works by Eduardo Martín frame the later part of the concert. Mirándote introduces a reflective atmosphere shaped by gentle rhythmic patterns and harmonic color. Later, Son del Burrio brings the program to a more rhythmically active close, drawing on Cuban popular music influences and requiring a strong sense of pulse and timing.

Sindo Garay and José Antonio Ñico Rojas

With Perla Marina by Sindo Garay, arranged by Rey Guerra, the program turns toward Cuban song tradition. The arrangement preserves the vocal character of the original melody while adapting it naturally to the guitar. This is followed by Guajira a mi Madre by José Antonio Ñico Rojas, a piece rooted in Cuban musical language and personal expression.

A Concert Shaped by Rhythm and Tradition

The overall program reflects René Izquierdo’s connection to both European and Latin American repertoire. Rather than presenting stylistic contrasts for their own sake, the pieces are linked through rhythm, dance influence, and clear formal structure. The concert highlights how these traditions coexist naturally on the classical guitar.

Recorded for Siccas Guitars

This concert video documents René Izquierdo’s performance during the International Guitar Festival Iserlohn in collaboration with Siccas Guitars. Recorded as an online concert, it offers listeners the opportunity to experience a complete recital shaped by consistency, rhythmic focus, and musical clarity, performed on a Siccas Luthiers Legacy guitar.