Michael Cadiz

Michael Cadiz

I was born in 1983 outside of Baltimore. My mother is from northern Michigan and my father, from the Philippines, hence the Spanish name. I came to the guitar initially as a player. I studied with Michael Nicolella throughout my high school years and then later in France with Jean-Pierre Billet and at the Chicago College of Performing Arts with Chicago with Sergio Assad. I felt uneasy about my chances of making a career as a classical guitarist and so, after spending several years playing music in bands and working random jobs, I turned my focus to guitar building.

I built my first guitar when I was fifteen years old with the now renowned pickup maker Jason Lollar. Much later, I studied with Rick Davis and Cat Fox at the Sound Guitar Workshop and then eventually and probably most importantly to my development as a maker of classical guitars, I studied with Robert Ruck. For many years after that, I shared a shop in West Seattle with a good friend and guitar builder David Myka. During this time, I also worked and taught at the Rosewood Guitar Shop and was able to study many of the guitars that came through its doors. I was also lucky enough to have access to the private collection that included some rare and rather sought-after historical instruments. In 2016, I moved myself and my workshop to Graz, Austria, which is where I have happily been ever since.

I owe a huge amount of thanks to fellow Northwest luthiers Robert Ruck, David Myka, Rick Davis, Cat Fox and Greg Oxrieder as well as Seattle-based guitarists Michael Nicolella, Michael Partington, Kevin Callahan, Jason Williams, Robert Vierschilling, Matt Anderson and Bill Clements and the rest of the Seattle Classical Guitar Society!

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Your next step is a real classic

  • Classical Guitar

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Luthier: Walter Verreydt
    Construction Year: 2025
    Construction Type: Lattice
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1505
    Tuner: Klaus Scheller
    Condition: New
  • Luthier: Jakob Lebisch
    Construction Year: 2017
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: E / F
    Weight (g): 1280
    Tuner: Klaus Scheller
    Condition: Excellent
  • Luthier: Daryl Perry
    Construction Year: 2024
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp
    Weight (g): 1480
    Tuner: Rodgers
    Condition: Excellent
  • Luthier: Felix Müller
    Construction Year: 2025
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1585
    Tuner: Gotoh
    Condition: Excellent
  • Luthier: Francisco Barba
    Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp
    Weight (g): 1600
    Tuner: Gotoh
    Condition: New
  • Luthier: Mirko Migliorini
    Construction Year: 2025
    Construction Type: Double-Top Guitars
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Nitrocellulose
    Air Body Frequency: F sharp / G
    Weight (g): 1600
    Tuner: Alessi
    Condition: New
  • Luthier: Tamara Stahl
    Construction Year: 2025
    Construction Type: Traditional
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp
    Weight (g): 1710
    Tuner: Kris Barnett
    Condition: New
  • Luthier: Karl-Heinz Römmich
    Construction Year: 2019
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Brazilian rosewood (CITES certified)
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1500
    Tuner: Fustero
    Condition: Excellent

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